The Haçienda was a nightclub and music venue in Manchester, England, which became famous in the Madchester years of the 1980s and early 1990s. The Haçienda opened in 1982, and despite considerable and persistent financial troubles survived until 1997—the club was mainly supported by record sales from New Order. The Haçienda is associated with the rise of acid house and rave music.
Musical releases, and essentially anything closely associated with the label, Factor Records were given a catalogue number in the form of either FAC, or FACT, followed by a number. FACT was reserved for full-length albums, while FAC was used for both single song releases and many other Factory “productions”, including: posters (FAC 1 advertised a club night), The Haçienda (FAC 51), a lawsuit filed against Factory Records by Martin Hannett (FAC 61), a hairdressing salon (FAC 98), a broadcast of Channel 4’s The Tube TV series (FAC 104), customised packing tape (FAC 136), a bucket on a restored watermill (FAC 148), the Haçienda cat (FAC 191), a bet between Wilson and Gretton (FAC 253), a radio advertisement (FAC 294), and a website (FAC 421). Similar numbering was used for compact disc media releases (FACD), CD Video releases (FACDV), Factory Benelux releases (FAC BN or FBN), Factory US releases (FACTUS), and Gap Records Australia releases (FACOZ), with many available numbers restricted to record releases and other directly artist-related content.
Numbers were not allocated in strict chronological order; numbers for Joy Division and New Order releases generally ended in 3 or 0, A Certain Ratio and Happy Mondays in 2, and the Durutti Column in 4. Factory Classical releases were 226, 236 and so on.
Despite the demise of Factory Records in 1992, the catalogue was still active. Additions included the 24 Hour Party People film (FAC 401), its website (FAC 433) and DVD release (FACDVD 424), and a book, Factory Records: The Complete Graphic Album (FAC 461).
Even Tony Wilson’s coffin received a Factory catalogue number; FAC 501